My graduated collection, 2025, made from A to Z.
Concept, design, ideas, modelling, sourcing, pattern making, prototyping, sewing process, photoshoot, technical files, marketing by me.
«Isn’t it too much? »
A satire that tends to criticise our consumerist society, where the obsession of “having” and the fear of “lacking” drives our lives. This collection explores the need to acquire material belongings without ever considering whether they fulfill our needs and make us happy. In a world where overconsumption has not only become accepted but is expected, this collection is a manifest of a visual and philosophical reflection on the excesses that define our era.
The collection is intentionally heavy with their exaggerated volumes and creates a suffocating effect of constant accumulation. The garments, with their vast and distorted silhouettes, between absurdity and satire, offering a biting critique of our modern relationship with material goods. Each piece is crafted from layers of accumulated fabrics, draped and tied around the body to evoke the physical and symbolic burden of what we own. The ropes, bindings, and belt buckle that hold the clothing together reinforce the concept of entanglement, highlighting how we can be ensnared by the very things we collect- a philosophical wink that shows us that we should move away from “having” to be more in the “being”.
Edito
In a world oversaturated with the fleeting and disposable, Isn’t it too much stands as a conscious and sustainable alternative. We challenge overconsumption by reinventing clothing: adjustable pieces designed to evolve with you, crafted from reclaimed fabrics, and brought to life with bold colors, symbols of expression and rebellion.
Colors
The color palette of this collection draws inspiration from the vibrant and warm hues of the 1960s, while integrating a visual modernity that reflects the chaos and abundance of overconsumption. Intense reds, burnt oranges, and earthy browns evoke the interior design aesthetic of the sixties, a period marked by bold, saturated tones often used in the avant-garde designs of Verner Panton.
This womenswear collection is built around pleats and layered volumes, treating clothing as sculpture in motion. Shapes are stacked, superimposed, and deconstructed to form an organic, almost living silhouette. Each piece embraces controlled excess, blending tailoring codes with a raw, urban energy. The result is a wardrobe that feels both dense and airy, designed for bodies in motion, caught between sophistication and deliberately embraced disorder.
Acknowledgment to
My models all year long: Maya MOORE, Clémence BELLICAULT, Shivani SAVUNTHARARAJAN, Cléa SONNET, Caroline ZITCOVICK, Tess DENISON, Tess LE HELLOCCO, Eleonore MICHAUX, Alba CASADO BARRANCO, Alexandra KANIA, Camille LEFOULON, Clara SAINT-MARC, Ines IMIFELA, Lili BLANDINEAU, Noélie VICTORIANO
with the technical support of
Ilona VENDRAMINI, Loann BASILEU
and all my friends and family
This project would not have been possible without you. Thank you :)